1/7/2024 0 Comments Dan gui tar![]() This let him access both series and parallel switching for multiple pickup combinations, and thus extract 12 different tones from a standard Stratocaster.Īll the pickup combinations are in phase, so if you're looking for out-of-phase tones, this arrangement may not be your cup of tea-at least not without some mods to yield these additional sounds. Instead of using three simple SPDT on/off switches, he used two DPDT on/on switches for the neck and middle pickups, plus a DP3T on/on/on switch for the bridge pickup. Though the concept wasn't new, Armstrong gave it a twist. The basic idea is simple: You replace the standard 5-way switch with three individual toggle switches-one for each of the three pickups-to coax as many different sounds as possible from one guitar. It was very common during the whole “super-strat" era of the '80s and early '90s, and it's still a landmark today. Let's start with his most famous wiring scheme: the original Armstrong “super-strat" wiring. If you're unfamiliar with his legacy, I suggest you take a moment to check him out here. He uses a Lehle 1at3 SGoS switcher to go between different amps and cabs.Over the years I've been writing Mod Garage, I've received requests to explore wirings created by the late guitarist, luthier, session musician, and boy genius, Daniel “Dan" Kent Armstrong, who, sadly, passed away in 2004. Next to his pedalboard is his Bogner channel switcher. Walter Becker’s pedalboard is in constant flux, but when we caught up with him it included a Sonic Research tuner, Barber Tone Press compressor, Eventide Pitch Factor, Eventide Space (which he uses only for reverb), Moog Moogerfooger MuRF, Pigtronix Envelope Phaser, Boss Noise Suppressor NS-2, and an MXR Carbon Copy. He also employs a 3 Monkeys Virgil, Bogner Ecstasy, Retro Channel RR1, and Satellite Mudshark. According to Becker’s tech, Dave Rule, nearly any combination of amp and cabinet is possible on any given night, however there are a few mainstays: primarily a ‘70s 50-watt Marshall 2204 MKII through a Marshall 4x12 cab loaded with NOLA Celestion speakers and a rubber grill cloth used in conjunction with a Suhr Badger 18. At the moment, he is using amps from Suhr, Bogner, Marshall, Ampeg, 3 Monkeys, Retro Channel, and Satellite. Quite the tonal alchemist, Becker relies on a bevy of different amps, cabs, and speakers. All the Sadowsky guitars are strung with Ernie Ball. The third knob has a push/pull feature that activates the neck/bridge combination with the 5-way switch in either the neck or bridge positions. The tiny three-way switch control a special preamp that offers separate buffer and gain boosts. In the neck/middle and middle/bridge settings, the pickups are wired for hum cancelling output. It features custom Lollar P-90 pickups, spalted maple top and swamp ash body. Watch the video below (and click here to see our Jon Herington Rig Rundown):Īlways the experimenter, Becker brings a number of guitars with him on the road including models from Sadowsky, Hahn, Frye, Fender, Fano, and Kauer.īecker’s main guitar is his signature Walter Becker model Sadowsky. PG's Jason Shadrick caught up with Steely Dan techs to check out the gear Walter Becker used for the band's summer 2011 tour.
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